- JAY Z FT BEYONCE ON THE RUN AUDIOMACK MOVIE
- JAY Z FT BEYONCE ON THE RUN AUDIOMACK ARCHIVE
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Crucially, Beyoncé retains full ownership of the company under the new agreement.
This year brought the announcement that Ivy Park will expand with the help of a new partner with a bigger global footprint: adidas. Beyoncé, 38, manages herself, runs her own label and production company, and in 2018 bought back a 50% stake of her athleisure line Ivy Park from Topshop after Topshop owner Philip Green faced allegations of racism and sexual harassment. A supporting live album followed.īeychella and Homecoming paid homage to the traditions and marching bands of historically black colleges and universities, and in doing so emphasized a key Parkwood principle: self-determination. (The album generated 570.4 million on-demand audio streams the tour grossed $253.5 million.) This year brought Homecoming, a two-hour documentary of Beyoncé’s 2018 Coachella headlining show (aka Beychella) - part of a production deal with Netflix said to be worth $60 million. Last year, The Carters’ Everything Is Love - Beyoncé’s surprise duet album with her billionaire husband, JAY-Z - dropped out of nowhere during their On the Run II stadium world tour. Parkwood has become known for shock-and-awe productions, foregoing traditional media promotion - or hype - and using the power of the unexpected to harness the energy of social media.
JAY Z FT BEYONCE ON THE RUN AUDIOMACK ARCHIVE
Members of the Parkwood Entertainment team, Clockwise from top left Production coordinator Leah Nardos Takele, digital developer Benjamin Maer, paralegal Kylie Gregory, production coordinator Shaquana Golding, visual director Ed Burke, staff photo editor Laura Germida, director of finance Gene Bolan, executive assistant Sylvia Black, collection archivist Samantha Oddi, head of Ivy Park Byl Thompson, director of information technology Matthew VanOmmeren, digital design manager Lila Miller Espinosa, manager of human resources and office administration Natacha Paul, chief digital officer Tina Imm, Pamon, director of social responsibility Ivy McGregor, Noel-Schure, archive manager Samantha Losben and A&R coordinator Mariel Gomerez. He was a skilled negotiator perfectly positioned to set up triumphs like Beyoncé’s 2016 Super Bowl halftime extravaganza and also able to navigate the startup world as she took stakes in the vegan meal plan company 22 Days Nutrition and the sports beverage WTRMLN WTR. as well, a background that gave him a unique understanding of the intersecting worlds of finance, events and entertainment.
A graduate of Morehouse College with an MBA from Stanford University, Pamon worked for the National Football League, HBO and McKinsey & Co. While still at JPMorgan, he helped set up the banking giant’s sponsorship of Beyoncé and JAY-Z’s joint On the Run stadium tour, which grossed $109.6 million, making it the No. 8 tour of 2014, according to Billboard Boxscore. Pamon arrived at Parkwood in 2015 from JPMorgan Chase, where he headed the sports and entertainment marketing division. More recently, the unexpected July release of The Lion King: The Gift, the Beyoncé-produced and -curated companion album to the Disney remake (in which she voiced the role of Nala), generated 147.4 million on-demand streams for the album’s songs. Operating at a leak-proof level of nondisclosure the federal government can only envy, it has steamrolled traditional industry thought patterns, unveiling artistic breakthroughs as top-secret surprises, beginning with the 2013 visual album Beyoncé, which sold 617,000 downloads in just three days, giving her the best first-week results of her career, and spawned the Billboard Hot 100 No. 2 hit “Drunk in Love,” featuring JAY-Z. But in the last decade, Parkwood has grown into the business empire and creative content company behind her greatest role: Queen Bey.
JAY Z FT BEYONCE ON THE RUN AUDIOMACK MOVIE
Parkwood began in 2008 as a video and movie wing for Beyoncé, co-producing Cadillac Records, the film in which she portrayed Etta James. Pamon, who’s wearing a white T-shirt beneath a navy blue suit offset by a red-white-and-blue stripe on the sleeves and pant legs, relaxes into the chair and resumes speaking about his boss and their company - that would be Beyoncé, “B,” as Pamon, 49, often calls her, and Parkwood Entertainment - and the milestones of the 12 or so preceding months that have earned them Billboard’s 2019 R&B/Hip-Hop Power Players Executives of the Year honors.
She just called.” The words, spoken by Parkwood Entertainment’s head of public relations, Yvette Noel-Schure, stop Steve Pamon midsentence as he sits on a chair in the company’s midtown Manhattan offices.